“I shoot for the common man who wants to see and feel a story from a place where he can’t be present himself.” – Danish Siddiqui
Danish Siddiqui was a Reuters photojournalist and the first Indian alongside Adnan Abidi, to win the Pulitzer Prize for Feature Photography for his documentation on the Rohingya Refugee Crisis. On July 15, 2021, Danish was shot to death in a crossfire while documenting the Taliban Offensive in Afghanistan.
His death is a reminder of how dangerous photojournalism can be. Yet there is indisputable value in a profession of “silent speakers” who capture photographs that transcend language and culture, to cast a lasting image into our consciousness.
Indian editorial-cartoonist, Satish Acharya, posted this photo on his Twitter.
German-Iranian journalist described Danish as ‘the man who captured humanity.’ The Guardian’s tribute to him writes that Danish’s breath-taking body of work for Reuters “spanned some of the world’s most era-defining crises.”
While the ethics of photojournalists have been questioned and raised as a concern, advocates have stressed its “distinct and important ability to indisputably represent the truth.”
Art and photo director, Molly Gottschalk, avowed that despite questions surrounding the integrity of journalists, “images of visceral power, ones which present unquestionable truths, will play an increasingly important role in not just accompanying a story but serving as the document that allows it to resist being summarily rejected with a buzzword.”
Below is our pick of some of Danish’s finest images taken throughout his career. Read the captions for full appreciation.
Krishna, 11, at a marriage ceremony at her new husband’s home in a village near Kota, in the northwestern state of Rajasthan, in 2010. The legal age for marriage in India is 18, but weddings like these are common, especially in poor, rural areas where girls in particular are married off young. Some 47% of women aged between 20 and 24 are married before the age of 18, according to the government’s latest national family health survey
The worn-out socks of Ram Pratap Verma, an aspiring Bollywood actor, on a beach in Mumbai in 2013. Like many others attracted by the Indian film industry, Ram Pratap Verma made the journey from his small village to the city in 2005A man feeds seagulls on a beach along the Arabian Sea in Mumbai, India, February 9, 2016.
People wait to cremate victims who died due to COVID-19, at a crematorium ground in New Delhi.Members of the Afghan special forces tend to an
Afghan soldier wounded during a firefight with
the Taliban in Kandahar province, Afghanistan, on 12 July 2021. The
picture was taken three days before Danish Siddiqui was shot dead by the TalibanThe worn-out socks of Ram Pratap Verma, an aspiring Bollywood actor, on a beach in Mumbai in 2013. Like many others attracted by the Indian film industry, Ram Pratap Verma made the journey from his small village to the city in 2005The Pulitzer prize winning photograph of Danish Siddiqui | Above: An exhausted Rohingya refugee woman touches the shore after crossing the Bangladesh-Myanmar border by boat through the Bay of Bengal, in Shah Porir Dwip, Bangladesh September 11, 2017
The APPIES is an annual event that presents a rare opportunity for creative, media, digital and marketing agencies or brands to present their best campaigns to the industry.
This is the only event where Live Presentations meets Live Judging.
Similar to TED Talks, The APPIES is the chance for great presenters with outstanding work to show it off to some of the industry’s most important industry leaders.
This year’s winners will receive Gold, Silver or Bronze trophies for 21 categories, and 6 special Best of Best categories (red trophies) that require no submissions!
Campaign entries must have run between June 2024 to May 2025
