WARC unveils content strategy trends for marketing
WARC released its Effective Content Strategy Report 2018, outlining key content marketing themes from the world’s best campaigns.
Pulled from the winners of the WARC Awards 2018 in the effective content strategy category this year, the report identifies common themes from branded editorial-style content that can demonstrate a business outcome.
WARC managing editor, Lucy Aitken said that despite stumbling blocks when encouraging advertisers to experiment with new content, there is also a lot of enthusiasm.
“Content is starting to take a more central role in communications strategies that recognise its strengths and its power to connect.”
The four key themes identified around Effective Content Strategy were
Emotion and humour were the creative strategies of nearly a third (32%) of shortlisted papers in the Effective Content Strategy category.
The Grand Prix winner, Coca-Cola’s Hijacking the African Cup by FP7/CAIRO, showed how emotion and humour could successfully engage audiences, as did Whiskas’ Kitten Kollege by AMVBBDO and Malaysian telco Maxis’ 4G Films by Ensemble Worldwide and Initiative Malaysia.
Jury member Lennie Stern, Head of Creative and Entertainment Strategies, BETC Parissays: “Creating emotion is what brands have to do today. Make them laugh and you’ll encourage them to share new cultural references.”
2. Content must reach its full potential
In a survey conducted by WARC on whether clients would invest in more branded content in future, 89% agreed that they would.
Given that brands are committing more to the benefits of content, budgets need to grow to ensure that it can be consistent over time and deliver on marketing objectives.
Judge Nick Kendall, Founding Partner, Broken, Electric Glue and The Garage Soho, comments: “Scaling, and scaling hard behind proven success, is the new business practice. Now content is growing up and finding ‘the power of ideas’. So let’s make sure we have ‘the power of media’ to drive them.”
3. Content that creates a point of difference
Telcos, particularly those in the MENA region, where countries such as the UAE and Saudi Arabia boast some of the highest smartphone penetration in the world, are increasingly dependent on content marketing to help differentiate in a highly commoditised sector.
There are lessons here for marketers in sectors such as financial services where differentiation remains one of the biggest challenges.
Daniel Shepherd, Director, Digital Planning, PHD UAE, says: “Showing is better than telling to get into consumers’ hands and hearts. In a sea of sameness, littered by the debris of countless boastful claims, content makes impressive waves and ripples that last.”
4. Content that engages new audiences
Nearly half (44%) of entrants surveyed by WARC cited new customer acquisition as a key objective of their content marketing.
And many winning campaigns successfully reached new audiences.
U.S. dating app Hinge by the STUDIO repositioned itself as a relationship app through an animated film, inviting people to Escape the Dating Apocalypse and doubled its user base.
Meanwhile, Emirates NBD’s Dear Younger Me by Momentum Egypt increased youth acquisitions through branded content that engaged emotionally with Egyptians under-25s.
Jury member Aliya Hasan, Head of Strategy, Vizeum Australia, comments: “Content can provide an accessible platform for new audiences to experience brands that might have been previously unfamiliar. It can often be more trusted and disarming than traditional advertising.
“Put simply, content done well, does well. It can truly be a powerful weapon in a marketer’s arsenal when wielded skillfully.”
Now in their third year, the WARC Awards 2019 will open for entries on 1 November 2018. Entry is free with a $40,000 prize fund for the winning papers. For more information on how to enter log on to www.warc.com