How Gameloft Helped Maxis Reach Speed Junkies


( – By: Vipul Jadhav

Long before the Pokemon Go hype train, brand marketers were quick to be part of the attention economy, plastering their messaging all over any platform that was attracting & engaging a demographic that matched its own. In most cases, little care was injected into whether the brand’s value proposition matched the user’s organic experience on the platform. There was, however, one exception.

Two years ago, Gameloft launched its mobile advertising solutions thanks to its proprietary ad server and a strong local commercial presence in 80 countries. Aimed at delivering the best mobile gaming inventory on the planet, the company rapidly expanded its advertising formats from a classic display (banners, interstitial, mid rec) to Video, Rich Media and Native, as well as programmatic by early 2016. With its 147 million MAU, 19 million DAU, 2 million games downloaded per day and 8 billion of impression per month, Gameloft was well positioned to serve its worldwide clients. In 2015, Gameloft launched around 800 campaigns with well-known international brands like Unilever, KFC, Procter & Gamble, Netflix, Warner Bros, Mercedes-Benz, Disney to name a few.


Welcome Screen (when the player open the game – seen by 100% of the users)

This year, Gameloft worked with Maxis, Malaysia’s leading telecommunication operator, to promote their “HOTLINK” 4G services. The brand was convinced to choose Gameloft for this particular campaign as they were looking for engagement as well as something different that has never been seen before in the country. The brief given by Maxis to Gameloft was first and foremost to make sure that the gamers were actively engaged with the brand and associated HOTLINK to the fastest speed known to exist.

The aim was to promote their product within one of Gameloft most popular racing car games in the market: Asphalt 8: Airborne. The rationale to opt for a sponsored event inside Asphalt 8 was simple:

• To have a perfect fit between the brand product and the game genre within a fun environment
• To make sure their gamers were highly engaged with the brand and associated the product with an exciting and immersive gaming experience.

Maxis was looking into more customisation and product integration within the game, so Gameloft offered to customise the boosters which are meant to help the players to start the race faster.

The intended return on campaign investment was all about the

1. number of users participating in the event,
2. average time spent,
3. brand exposure (eyeballs)
4. click-through rates.

Asphalt 8: Airborne, In-Game Menu.

In the end, 8% of the players participated in the sponsored event, with each playing for an average of six minutes per user per day. Players competed for the first place on the leaderboard during a 12 days period. Brand exposure was given via a Welcome Screen announcing the race (seen by 100% of the players), in-game visibility (main, event menus and end screen) as well as push notifications.


Hotlink Branded Booster.

Due to the fact that the brand’s core messaging was in line with an established element of the game (i.e. speed), gamers were very receptive to a sponsored event of this kind, playing it up to four times a day on average. In line with its deep understanding of user behaviour, Gameloft decided to run this campaign on the weekend, successfully increasing the time customers spent playing the sponsored event. Also, with the opportunities of winning in the game, and rewards captured the interest of the customers joining the sponsored event.

The key to achieving success levels like this case is the tie between not just the target audience and the user base, but also how to associate the campaign messaging with a natural element within the activity. Too often, brands jump on board platform that is popular with the demographic that matches their own, falling short because the entire persona of the platform fails to embody their own brand personality. This is why many brands failed to resonate with Pokemon Go, despite all the hype around it.

When associating a brand asset to a platform based campaign, it’s imperative to fixate on the commonalities that seamlessly integrate with the user’s experience. No gamer wants to be interrupted by ads, but when the participating brands are helping them achieving an in-game goal, their pleasure receptors forge an association with the messaging and the “epic” moment is achieved. This inception of sorts can only come from careful planning that puts the end user’s experience at the centre of the maze.

In the same way that companies experiencing digital business transformation use C2 to further segment & dissect the interests of their email base for moment of truth insights, marketers must align with platforms that naturally represent elements that resonate with their campaign messaging.

Vipul Jadhav is the director of client services at Centric DXB, a full-service digital strategy firm in the United Arab Emirates. With offices in the Kingdom of Saudi Arabia, Qatar and Kuwait, Centric DXB has helped companies respond with an end to end digital strategy that tackles ripples of digital disruption undermining traditional business models. He can be reached on [email protected]


Mad 2017

Is your company at your clients’ fingertips?

On the table of Malaysia’s leading marketing, media and agency heads will be a well-worn book, an industry bible which has been bookmarked, highlighted and even had its pages torn out.

Launched 22 years ago, the annual Malaysian Advertising Directory or MAD is the premier resource for every marketing, media and agency head in the country.

We are open for bookings for MAD 2017 and it’s time for YOUR company to be right at the fingertips of your clients. 8,000 copies sent to marketers, media specialists, brand agencies, digital players and more…

Download the PDF on MAD here

To advertise email [email protected] or call 018-220 0682

MARKETING Magazine is not responsible for the content of external sites.

The APPIES is an annual event that presents a rare opportunity for creative, media, digital and marketing agencies or brands to present their best campaigns to the industry.

This is the only event where Live Presentations meets Live Judging.

Similar to TED Talks, The APPIES is the chance for great presenters with outstanding work to show it off to some of the industry’s most important industry leaders.

This year’s winners will receive Gold, Silver or Bronze trophies for 21 categories, and 6 special Best of Best categories (red trophies) that require no submissions!

Campaign entries must have run between June 2023 to May 2024

Submissions Deadline
30th June 2024

APPIES Festival – Judging & Presentations
11th – 12th July 2024 (Malaysia)


Download Event PDF
Submit Entries Here

Subscribe to our Telegram channel for the latest updates in the marketing and advertising scene