Marketing

Is Malaysian Marketing Saving the Planet or Just Saying So?

By The Malketeer These days every ad campaign claims to save the planet, but how do we separate the real impact from recycled PR? From FMCG giants to boutique agencies, everyone’s draping themselves in green – sometimes quite literally. But with floods displacing communities in Kelantan, haze returning to our

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Raw, Real, Relatable is Malaysia’s New Influencer Currency

By The Malketeer In 2025, Malaysian influencer marketing is undergoing a major glow-down and that’s a good thing. Forget the polished perfection of yesteryear. Winning content is raw, real, and refreshingly human. From TikTok comedy skits at the Tealive counter to viral confessionals filmed in a Myvi, it’s the everyday

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Agoda Powers Tourism Malaysia’s Bold VM2026 Digital Relaunch

By The Malketeer In a bid to reframe Malaysia’s appeal for the digital-age traveller, Tourism Malaysia has joined forces with global travel platform Agoda ahead of the much-anticipated Visit Malaysia 2026 (VM2026) campaign. The two-year strategic tie-up promises more than glossy promos, it’s a calculated pivot toward data-driven storytelling, global

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The NexGen Show Episode 17: The Power Of Being A Junior!

While many new hires rush to shed the ‘junior’ title, Amni is embracing every moment of it. “Being a junior allows me to explore so many things,” she explains. “I told my boss that I’m here to be a sponge and absorb as much knowledge as I can.” In Episode

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Marketing Mettle to Metrics to Meaning…

This year’s Malaysian Marketing Conference had me on the edge of my seat. We had been on a blistering run for a while. Only two weeks prior, we hosted the Malaysian CMO Awards Discovery Edition and celebrated an amazing new set of winners for the year. We then carried this

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Influence Sinfluence: Boon or bane to marketing industry?

By Sandeep Joseph After the buzzword AI, influencers are the biggest marketing flavour of the past few years. During Covid-19 pandemic, influencers became critical for advertisers, because they could film their own content and release it online, in an environment when shooting ads and films was banned because of fears

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